16″ Diameter Round Magnolia in a Stand
Pictured above is a 16″ diameter Round Magnolia panel placed in a stand on a windowsill. The glass used in this panel is Wissmach which gives the subject a very flat oriental look. In this post, I will go through the various stages of the construction of this pattern. For this, I will use the same pattern but 12″ diameter and Youghiogheny Glass. This will produce a much different effect.
Step 1
In the first step above I have cut out the five flowers. I don’t always do this but every panel is different and so I change my approach. For this piece I am sure of the flowers, the tricky bit will be the background glass.
Step 2
After making my glass selection I cut the outer edge first, then grind to ensure a nice neat fit.
Step 3
I then make my other cuts and fit the piece around the flowers. A ring saw can be a very useful tool here.
Step 4
Some more background added now plus all the branches and leaves. I can see the picture starting to emerge.
Step 5
The lower background is now complete, I have used a darker shade for these pieces.
Step 6
With all the pieces now cut I have placed the panel on a lightbox to check on progress. I am happy enough so far but would also like to see it with daylight coming through.
Step 7
I have fixed my template to a sheet of clear glass and placed it up against a window. You can see the difference in how the light affects the panel it’s so much sharper with the daylight. Time for foiling and soldering.
Step 8
Here is the finished panel hanging in a window. You can see now the difference that glass selection makes to a finished panel. Also how you can create a different feel and look using the same pattern.
This pattern is available to purchase as a PDF Download in the Patterns Store.
My name is David Kennedy and I create stained glass patterns and designs. These are downloadable PDF files and they are available to buy on this website. If you would like to view the selection please visit the Patterns Store to see the full range. I work in both lead and copper foil which enables me to produce a wide range of different styles. These are skills I have developed over the last 35 years of working with glass.